Reviews
Review By Patricia Tauzer
A study of butterflies, a trip to the Butterfly Conservatory, and one specific Monarch opens a spunky little girl's eyes to the magic of life, and she changes forever. And, the reader will too.
While the metamorphosis of a butterfly may be an easy, obvious metaphor for growth and development, its use in this book is made fresh and exciting by the personality of Velma Gratch. From her "carroty curls" pulled up in springy ponytails to her "knobby knees" and "spaghetti arms" to her determination to learn important big words like "metamorphosis," "conservatory," and "migration," Velma is an individual, though she doesn't know it yet. In her, both author and illustrator combine their talents to create the kind of independent, confident spirit that we hope all kids will discover in themselves.
From cover to cover, this book is the complete package. Told so poignantly both in the words of Alan Madison and pictures of Kevin Hawkes, VELMA GRATCH AND THE WAY COOL BUTTERFLY will touch the heart and mind of anyone who reads it. Delicate, creative details, such as the butterfly-shaped formatting of the copyright information, will guarantee that it stays there among other books that are just part of the family.
Kids will enjoy reading about everything butterflies, from migration to metamorphosis, as they follow Velma's own transformation.
Review By Publishers Weekly
At the center of Madison's (The Littlest Grape Stomper) picture book is first-grader Velma Gratch; despite her round eyeglasses and bushy red pigtails, she worries that she isn't as memorable as her well-known older siblings-until she discovers butterflies. "She adored the ones with colorful names: brown elfin, frosted flasher, sleepy orange. And the ones with funny names: comma, question mark, American snout." During a school trip to a butterfly conservatory, which Velma aptly calls a "can-serve-the-story" in a humorous if too-cute Junie B.-esque malapropism, the otherwise ordinary story veers abruptly into fantasy. A monarch perches on Velma's finger and won't let go (she attends ballet class with it on her finger and sleeps with her butterfly hand on a pillow), finally giving her the distinction she craves. Hawkes's (Library Lion) paintings ably convey the colorful differences between the types of butterflies. His work shines most brightly, perhaps, on his witty endpapers: the opening papers show caterpillars (including an "orange-tipped Gratch"); the papers at the end display butterflies (Velma is now a "Small Gratchis"), underscoring the character's own metamorphosis. Both adults and emerging conservationists should appreciate this leisurely story about finding one's bliss. - Copyright 2007 Reed Business Information